Research Area(s)
- Performance for video
- Video Art
- Digital Imaging
- Media Theory
- Women's Studies
- Installation
- Painting
- Representation
Artistic Works
Artist Works* (*since July 1, 2017)
Solo and Two-Person Exhibitions
Birke L. (Oct 7th – to Nov 30th 2021). Solo exhibition curated by Sandee Moore: Natures of Reality [multimedia installation: video, animation and augmented reality]. Regina, Canada: Art Gallery of Regina.
Birke L. (May 21th – Jun 6th 2021). Online two-person exhibition presented in collaboration with XR HUB Bavaria: The Land of Milk and Honey [exhibition in virtual reality environment]. Regensburg, Germany: Regensburg Short Film Week.
Birke L. (Apr 12th to Jun 1st 2019). Solo exhibition, juried: Volte-Face [4 single-channel video works installed in main gallery]. Owen Sound: Tom Thomson Art Gallery.
Houle T and Birke L. (Aug 31st to Sep 1st 2018). Collaborative multi-media project and two-person exhibition, juried: Different Ways [Live performance, video installation, live-capture animation, 360 video, community project]. Richmond, BC: Feature Artists: Digital Carnival, part of Richmond World Festival and hosted by Cinevolution, installed at the Richmond Art Gallery.
Benning H and Birke L. (Apr 6th – May 2018) Two-person gallery exhibition, juried: Kein Heim in Sicht/Gleich Gewicht, [video installation of The Knits and Endgame]. Vienna, Austria: 12-14 Contemporary,
Birke L. (Sept 15th – Nov 4th 2017). Solo exhibition, juried: The Knits [three-channel video installation]. Cambridge, ON: Cambridge Art Galleries (Idea Exchange)
Group Exhibitions/Performances
Birke L. (Mar 17th – Apr 21st 2023). Group exhibition curated by David LaRiviere. Saskatoon: “20/50 Double Anniversary Exhibition” [single channel video]. Saskatoon, Canada: PAVED Arts.
Birke L. (Sep 26th 2020 – Feb 2021). Group museum exhibition curated by Sandra Fraser and Felicia Gay (BorderLines): The Land of Milk and Honey [interactive 360 video installation]. Saskatoon, Canada: 2020 Biennial of Contemporary Art, Remai Modern in collaboration with the Art Gallery of Alberta.
Houle T and Birke L. (Sept 21st –24th 2017). Live performance and video installation, juried: Different Ways [Part of Flotilla Atlantic; two-hour live performance and video installation] Charlottetown, PEI: Association of Artist-Run Centers from the Atlantic and Ed Video
Curated Screenings (Galleries and Media Centres)
Birke, L. (Feb 27th to Mar 3rd and Mar 20th), White on White Revisited [single channel video screening-outdoor facing screen) in A Small and Quiet Winter Screen curated by Risa Horowitz. Regina, Canada, University of Regina.
Birke, L. (Apr 10th to 15th 2022). Endgame [single channel video in online screening program]. Online: Peace Letter to Ukraine 3 screening program, presented by the New Museum of Networked Art, curated by Wilfried Agricola de Cologne.
Birke, L. (Jan 1st – Feb 1st 2021). Online screening program curated by Muriel Paraboni: The Knits [single-channel video]. Milan, Italy, Visualcontainer web TV, Panorama Videoart + Experimental Cinema Vol #1 and Vol #2.
Birke, L. (Dec 4th 2020 and Mar 9th, 2021). Screening at exhibition opening and online exhibition, group exhibition/screening co-curated by Denise Parizek and Luciana Esqueda: Bombshell [single-channel video]. Vienna, Austria, Utopia de una Transformación, 12-14 Contemporary.
Birke, L. (Oct 9th – Oct 15th 2020). Online screening/exhibition curated by Wilfried Agricola de Cologne: Endgame [single-channel video]. Torrance, USA, Earth Games, TAM Dark Room @ Alphabet, Torrance Art Museum in collaboration with New Media Fest.
Birke, L. (Jul 9th – Aug 23rd 2020). Retrospective screening program curated by Wilfried Agricola de Cologne: Endgame [single-channel video]. Berlin, Germany, WOW Jubilee 2020 VII Berlin, Stützpunkt Teufelsberg @ IAM – Institut für Alles Mögliche, in collaboration with New Media Fest.
Birke, L. ( Apr 1st – Apr 30th 2020). International screening program curated by Wilfried Agricola de Cologne: Red Carpet [single-channel video]. Torrance, USA, Torrance Art Museum (online), Dark Room, Virtual, Torrance the 1st Corona Festival.
Birke, L. (Mar 3rd 2020). Curated screening program: The Knits [single-channel video]. Mexico City, Mexico and Vienna, Austria, Utopia of a Transformation, UNAM Mexico City and Mexican Cultural Institute Vienna in collaboration with 12-14 Contemporary.
Birke, L. (Mar 26th – 29th 2020). Curated screening program: The Knits [single-channel video]. Poland, Przegląd Filmów o Sztuce, Zakopane presented by AVIFF.
Birke, L. (Dec 26th 2019– Jan 1st 2020). International screening program curated by Agricola de Cologne: Endgame [single-channel video]. Ethiopia, 3rd Addis Video Art Festival in collaboration with WOW Jubilee 01, Earth Games.
Birke, L. (Nov 5th – 10th 2019). Special screening program curated by Alex Rogalski: The Knits [single-channel video]. Winnipeg, Canada, Gimme Some Truth Documentary Fest.
Birke, L. (Nov 7th, 8th and 26th 2019). International screening program curated by Muriel Paraboni: The Knits [single-channel video]. Traveling, Brazil, International Panorama: Videoart & Experimental Cinema VOL#2.
Birke, L. (Jul 7th 2019). International curated group screening program with discussion: Tea Service [single-channel video]. Regensburg, Germany, Non-Normativity in Kurzfilm & Video Art, Filmgalerie im Leeren Beutel, Medienwissenschaft Universitat Regensburg in collaboration with Filmgalerie Arbeitskreis Film e.V.
Birke, L. (Dec 1 2018). Curated group screening program: Fragonard’s Swing (Miss La La; Hung Out to Dry) [single-channel video, 5min 31sec, 2012. This is a previously exhibited work with a newly re-edited soundtrack for this screening]. Toronto: Medi(t)ating the Temporality of the Untimely curated by Masaki Kondo, Vtape.
Birke L. (May 28th 2018). Curated screening program: The Knits [single-channel video projection]. Regina, SK: Congress 2018, Neither Straight Nor Flat: Prairie Women Filmmakers curated by Blair Fornwald, Dunlop Art Gallery/RPL Film Theatre
Birke L. (Feb – Dec 2018). International touring video art program: The Knits [single-channel video]. TIME is Love.11 curated by Kisito Assagni: (Feb 17-24th) Malta: Lily Agius Gallery, (Mar 31st) Glasgow: CCA Center for Contemporary Arts, (May 3rd – 6th) Milan, Italy: EX- NEW Contemporary Art Center
Birke L. (Mar 14th – 21st 2018). Film survey program and solo video installation: The Knits, Red Carpet, Egg Stock, Happy Days, Endgame, Bombshell, Looking Glass, Tea Service [week-long three-channel video installation and eight film survey screening program]. Regensburg, Germany: International Short Film Week Regensburg,
Birke L. (Jan 21st 2018). Curated video art program: Endgame [single-channel video projection]. Kolkata, India: Wow.12 India 5.0 (Universal Com), artvideoKOELN & The New Museum of Networked Art @ TransArt 2
Birke L. (Aug 2017). Curated screening program: Babe in the Woods (trilogy) [single-channel video projection]. Durham Region, ON, FFFF festival
Birke L. (Jul 2017). Curated performance for video screening program: Bombshell [single-channel outdoor video projection]. Guild Park and Gardens, ON: 7a*md8 in partnership with (Un)settled
Screenings (Film Festivals)
Birke, L. (Jun 1-2th, 2023), Signs of our Times [festival screening]. Greece: Video Art Miden
Birke, L. (Apr 24th, 2023), Signs of our Times [festival screening]. Tucson, USA: Arizona International Film Festival (Awarded: Best Experimental Short)
Birke, L. (Mar 30th, 2023), Signs of our Times [festival screening]. Toronto, Canada: Moving-Image-Arts International Short Film Festival
Birke, L. (Dec 29th, 2022), Signs of our Times [festival screening]. New York, USA: The Magikal Charm Experimental Video & Film Fest
Birke, L. (Nov 14th, 2022), Signs of our Times [festival screening]. Tortona, Italy: Tortona IndieFilm Session
Birke, L. (Nov 7th to 11th 2022). The Land of Milk and Honey [360 video; film festival screening in collaboration with the National Museum of Anthropology]. Madrid, Spain: MAAM (Muestra de Antropologia Audiovisual de Madrid).
Birke, L. (Apr 23rd: live screening and May 29th to Jun 29th: online presentation, 2021). The Land of Milk and Honey, [360 video; film festival screening]. Kineteca de Durango, Mexico: Fisura Festival internacional de cine y video experimental.
Birke, L. (Oct 22nd 2021). The Land of Milk and Honey [360 video; film festival screening]. Bilboa, Spain: Bideodromo International Experimental Video and Film Festival. Awarded: finalist- 3rd place.
Birke L. (Jul 24th – Jul 25th, 2021). Festival screening, special program (online, interactive virtual presentation): The Land of Milk and Honey. Ottawa, Canada: Mirror Mountain Film Festival.
Birke L. (Feb 19th – Mar 9th 2021). Festival screening (online): The Land of Milk and Honey. Mississauga, Canada: Festival of International Virtual & Augmented Reality (FIVARS) [virtual festival]
Birke L. (Nov 29th, 2020). Festival screening (online): The Land of Milk and Honey [awarded: Best 360]. Geelong, Australia: Geelong Underground Film Festival, presented as part of the G Biennale.
Birke L. (Dec 6th 2018). Festival screening: The Knits [single-channel video projection]. San Francisco, USA: Another Hole in the Head Film Festival
Birke L. (Nov 23rd 2018) Festival screening: The Knits [single-channel video projection]. Stockholm, Sweden: Stockholm Experimental Animation Film Festival
Birke L. (Oct 19th 2018). Festival screening: The Knits [single-channel video projection]. Cinque Terre, Italy: Cinque Terre International Film Festival
Birke L. (Oct 2nd 2018). Official selection: The Knits [no screening]. Chicago, USA: Blow-up Chicago International Arthouse Film Festival
Birke L. (Jun 2nd 2018). Official Selection: The Knits [no screening]. Auckland, New Zealand: Auckland International Film Festival.
Birke L. (Oct 19 2018). Festival screening, Semi Finalist: The Knits [single-channel video projection]. Bilboa, Spain: Bideodromo: International Experimental Film and Video Festival
Birke L. (May 12th – 14th 2018). Festival screening: The Knits [single-channel video projection]. Cannes, France: AVIFF (Art Film Festival Cannes)
Birke L. (May 11th – 13th 2018). Festival screening: The Knits [single-channel video projection]. Oxford, UK: Oxford International Film Festival
Birke L. (April 25th 2018). Festival screening: The Knits [single-channel video projection]. Tucson, USA: Arizona International Film Festival
Birke L. (April 19th –22nd 2018). Festival screening: The Knits [single-channel video projection]. Milwaukee, USA: Milwaukee Underground Film Festival
Birke L. (Apr 14th 2018). Festival screening: The Knits [single-channel video projection]. Maitland, USA: Florida Film Festival
Birke L. (Mar 12th 2018). Festival screening: The Knits [single-channel video projection]. Toronto, ON: Toronto Short Film Festival
Birke L. (Jan 27th 2018). Festival screening: The Knits [single-channel video projection]. Tallahassee, USA: Tally Shorts Film Festival
Birke L. (Jan 20th & 25th 2018). Festival screening: The Knits [single-channel video projection]. Park City, USA: Slamdance Film Festival
Birke L. (2018) Awarded Honorable Mention: for vision and the film's unique contribution to cinema: The Knits [no Screening], Los Angeles, US: LA Underground Film Forum
Birke L. (Dec 1st – 3rd 2017). Festival screening and Nomination: Ottawa Rickshaw’s Best Director Award: The Knits [single-channel video projection]. Ottawa, ON: Mirror Mountain Film Festival
Birke L. (Nov 16th – 18th 2017). Festival screening: Bombshell [single-channel video projection]. Uruguay: Gstaadfilm (international festival for short art films)
Birke L. (Nov 17th 2017). Special programs festival screening: The Knits [single-channel video projection]. Regensburg, Germany: Heimspiel Filmfest (Internationale Short Film-Highlights)
Birke L. (Oct 5th and 12th 2017). Festival screening: The Knits [single-channel video projection]. Vancouver, BC: Vancouver International Film Festival
Birke L. (Aug 23rd – Sep 2nd 2017). Festival screening: The Knits [single-channel video projection]. Kansk, Russia/Siberia: International Kansk Video Festival
Birke L. (July 2017). Official selection: Awarded honorable mention: The Knits [no screening] Los Angeles, USA: Experimental Forum
Teaching & Supervision
Animation Digital Integrated Practice Video Art autonomy competence creative process forward thinking fundamentals relatedness risk taking technical learning
"In their book Glued to Games, Scott Rigby and Richard M. Ryan argue that “video games are most successful, engaging, and fun when they are satisfying specific intrinsic needs: those of competence, autonomy, and relatedness” (1) In my pedagogy, I am fully committed to the three pillars of competence, autonomy, and relatedness. Competence, the drive to master skills in order to move forward, translates in my classroom to the acquisition of a strong grounding in the fundamentals, as well as an ongoing commitment to exploring and applying burgeoning techniques and technologies. Autonomy, the desire to define our own narratives, is achieved by encouraging exploration, experimentation, and risk taking, buttressed by inspirational support material and ongoing instructor and peer review. Relatedness, the desire to feel like we matter and that we are contributing meaningfully to a group, grows out of students and the instructor playing on the same console to engage with and affect the world around them.
I believe that pedagogical practice should be rooted in proven fundamentals (traditional art theories and techniques) but should be flexible enough to evolve with emerging technologies and ideas that enrich our experiences of the world. In this way, the classroom as a living entity does not stagnate; it is forward thinking. "
- [1] Rigby, Scott, and Richard M. Ryan. Glued to Games: How Video Games Draw Us In and Hold Us Spellbound. Santa Barbara: Praeger, 2011. Print.
Birke has developed the "Digital and Integrated Practice" area in the Department of Art and Art History. She teaches: Video Art and Sound, Animation and Digital Space, Digital and Integrated Practice, and Digital Imagery.
Research
Composition and Colour Theory Contemporary Art Digital Imaging Feminist Media Theory Film Installation Painting Performance Art Relational Aesthetics Representation Video media theory
Lisa Birke is an interdisciplinary artist whose work is a result of the collision of video, performance art, painting and installation. Situating on the border and in the “in-betweens”, she is interested in the stories that we re-cite and re-brand and how these reflect our conception of the world and the tragi-comic perception of ourselves. Filmed unaccompanied in the Canadian landscape, absurd yet insightful performative acts become entangled in complex single and multi-channel videos and installations that trouble viewer expectations in the mixing of referents from art history, popular culture and the everyday. The thin line between theatrics and documentation is blurred, exposing an indeterminate subject and an even shakier subjectivity. In her most current work, Birke has been exploring immersive multi-media approaches, special effects, 360 video and augmented reality.
Education & Training
BFA, Emily Carr Institute of Art and Design, Visual Art, 1999, Painting
MFA (with distinction), University of Waterloo, Fine Arts, 2013, Studio Art
Documents & Links
- artist's website
- Ted Talk: The Power of Striving for Failure
- Experimental Film Podcast: Interdisciplinary Artist Lisa Birke
- shARed spaces project
- "Natures of Reality" at the Art Gallery of Regina
- Exhibition Walk-through "Natures of Reality"
- Struts Gallery: Lisa Birke Artist Talk
- Volte Face at the Tom Thomson Art Gallery
- CAFKA: Bombshell project
- LandEscape Art Review
Image Gallery
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Natures of Reality (installation at the Art Gallery of Regina)Video, animation and augmented reality exhibition at the Art Gallery of Regina: "Meaning in our lives emerges not from airbrushed perfection but from acceptance and celebration of difference, tolerance, finding one's own truth, and the power of community. Through the consumerist din of prescriptive norms and aspirational desires that saturate our media, Birke's Natures of Reality invites us to hear the truth about the meaning of life: beauty, magic, and wealth of meaning lie in complexity and nuance." (Sandee Moore, curator AGR)
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Natures of Reality (augmented reality sculpture and digital video)Video, animation and augmented reality exhibition at the Art Gallery of Regina: "Meaning in our lives emerges not from airbrushed perfection but from acceptance and celebration of difference, tolerance, finding one's own truth, and the power of community. Through the consumerist din of prescriptive norms and aspirational desires that saturate our media, Birke's Natures of Reality invites us to hear the truth about the meaning of life: beauty, magic, and wealth of meaning lie in complexity and nuance." (Sandee Moore, curator AGR) The digital sculpture pictured here is hosted by the Shared Spaces app that is being developed at the University of Saskatchewan.
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Natures of Reality (augmented reality animation)Video, animation and augmented reality exhibition at the Art Gallery of Regina: "Meaning in our lives emerges not from airbrushed perfection but from acceptance and celebration of difference, tolerance, finding one's own truth, and the power of community. Through the consumerist din of prescriptive norms and aspirational desires that saturate our media, Birke's Natures of Reality invites us to hear the truth about the meaning of life: beauty, magic, and wealth of meaning lie in complexity and nuance." (Sandee Moore, curator AGR). Note: the animation depicted in this still was created by Damian Thomas in collaboration with Lisa Birke and Common Weal Community Arts.)
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Natures of Reality (installation at the Art Gallery of Regina)Video, animation and augmented reality exhibition at the Art Gallery of Regina. "Meaning in our lives emerges not from airbrushed perfection but from acceptance and celebration of difference, tolerance, finding one's own truth, and the power of community. Through the consumerist din of prescriptive norms and aspirational desires that saturate our media, Birke's Natures of Reality invites us to hear the truth about the meaning of life: beauty, magic, and wealth of meaning lie in complexity and nuance." (Sandee Moore, curator AGR)
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The Land of Milk and Honey (installation at the Remai Modern)A womb-like space of plenty breaks apart to reveal the messy constructs and special effects holding the illusion together. The Land of Milk and Honey is a 360 degree digital video experience, exploring fertility, loss and the physical, poetic and psychological complexities of the body and the mind.
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The Land of Milk and Honey (still)A womb-like space of plenty breaks apart to reveal the messy constructs and special effects holding the illusion together. The Land of Milk and Honey is a 360 degree digital video experience, exploring fertility, loss and the physical, poetic and psychological complexities of the body and the mind.
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The Land of Milk and Honey (project poster)A womb-like space of plenty breaks apart to reveal the messy constructs and special effects holding the illusion together. The Land of Milk and Honey is a 360 degree digital video experience, exploring fertility, loss and the physical, poetic and psychological complexities of the body and the mind.
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Red Carpet and Calendar GirlsVideo installation: solo exhibition "Volte Face" at the Tom Thomson Art Gallery, Owen Sound, ON
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Wheel of FortunesVideo Still: "Wheel of Fortunes", digital video, 2019
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The KnitsPromotional image for "The Knits", digital video, 10 min, 2017
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Red CarpetFilm Still: Red Carpet, 15 minute digital video loop, 2013
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BombshellPublic projection "Bombshell" installed at CAFKA 16 opposite Kitchener City Hall
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EndgameSingle channel video projection "Endgame" at the Kitchener/Waterloo Art Gallery, Kitchener, ON
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The KnitsSolo exhibition: 3 channel-video installation "The Knits" at Cambridge Art Galleries, Cambridge ON