Production Listings
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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Fall 2020 season cancelled due to COVID-19 |
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February 3-13 |
Under Milkwood |
Dylan Thomas |
Dwayne Brenna
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C: Beverley Kobelsky Animation, Video, Digital imagery, OBS, poster team: Mason Bleckley, Milaine Curé, Jill Jeffrey, Emily Rempel, Kei Tanaka, Luke von Eschen |
On-line format |
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March 24-Apr.3 |
Gordon Winter |
Kenneth T. Williams |
Deneh’Cho Thompson |
C: Beverley Kobelsky Production Design: Milaine Curé, Emily Rempel Puppet Design:Luke Von Eschen |
On-line format |
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June 9-19
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Unity (1918)
75th anniversary show |
Kevin Kerr |
Skye Brandon |
S: Milaine Curé C: Kihiw-Iskwew Pilon, Beverley Kobelsky L: Carla Orosz, Evangeline Ambros |
South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 9-19 |
Frankenstein |
Henry Milner |
Dwayne Brenna
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S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz |
South Studio |
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November 20-30 |
Playhouse Creatures |
April De Angelis |
Julia Jamison
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S: Judith Schulz C: Beverley Kobelsky L: David Granger |
South Studio |
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February 4-8 |
The Secret in the Wings |
Mary Zimmerman |
Treena Stubel
Assistant Director: Danova Dickson
1st and 2ndyear show |
S: Milaine Cure C: Emily Rempel; Luke von Eschen L: Luke von Eschen
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South Studio |
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March 18-28
*Cancelled because of COVID-19. One tech dress performance March 15, 2020 |
The Grass Tomb |
Oh Taesok |
Raymon Montalbetti |
S: Nathan Harder C: Kihew-Iskew Pilon L: Aalliyah Dustyhorn
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 10-20 |
Arcadia |
Tom Stoppard |
Julia Jamison
Assistant Director: Drew Mantyka
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S: Rory Jewiss C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 21-December 1 |
Henry V |
William Shakespeare |
*Skye Brandon
InterD MA candidate |
S: Allison Laxdal C: Beverley Kobelsky L: Carla Orosz |
South Studio |
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February 6-16 |
The Cripple of Inishmaan |
Martin McDonagh |
Dwayne Brenna |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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March 20-30 |
Machinal |
Sophie Treadwell |
Natasha Martina |
S: Brooklynn Bitner C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 11-21 |
Girl in the Goldfish Bowl |
Morris Panych |
Natasha Martina
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S: Taegan O’Bertos C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 22-December 2 |
Season’s Greetings |
Alan Ayckbourn |
Pamela Haig Bartley |
S: Allison Laxdal C: Beverley Kobelsky L: Carla Orosz |
South Studio |
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February 7-17 |
The Beaux Stratagem |
George Farquhar Adapted by Thornton Wilder and Ken Ludwig |
Julia Jamison
Assistant Director: Mackenzie Dawson |
S: Carla Orosz C: Jensine Trondson L: Carla Orosz
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South Studio |
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March 21-31 |
Spirit Wrestler |
Greg Nelson |
Carol Greyeyes |
S: Jeff Kirzinger C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 5-15 |
The Golden Age |
Louis Nowra |
Dwayne Brenna Assistant Director: Carol Greyeyes |
S: Logan Martin-Arcand C: Beverley Kobelsky L: Logan Martin-Arcand
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South Studio |
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November 23-December 3 |
Brontë |
Polly Teale |
Natasha Martina
Assistant Director: S.E. Grummett |
S: Tim Mason C: Beverley Kobelsky L: Tim Mason
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South Studio |
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February 8-18 |
The Illusion |
Pierre Corneille Adapted by Tony Kushner |
Pamela Haig Bartley |
S: David Granger C: Beverley Kobelsky L: David Granger
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South Studio |
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March 19-29 |
Cabaret |
Music: John Kander Lyrics: Fred Ebb Book: John Masteroff Adapted from the play I Am A Camera by John Druten As adapted from the novel, Goodbye to Berlin by Christopher Isherwood |
Julia Jamison |
S: Carla Orosz C: Carla Orosz L: Tim Mason
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 7-17 |
Picasso at the Lapin Agile |
Steve Martin |
Julia Jamison |
S: Amberlin Hsu C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 18-28 |
The Caucasian Chalk Circle |
Bertolt Brecht Translator: Eric Bentley |
Dwayne Brenna |
S: Brandon Parfitt C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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February 9-12 |
Almost, Maine |
John Cariani |
Natasha Martina |
S / C /L: Logan Martin-Arcand & Tim Mason
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1st and 2nd year show North Studio |
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March 23-April 2 |
Les Belles Soeurs |
Michel Tremblay Translator: John van Burek & Bill Glassco |
Pamela Haig Bartley |
S: Sydney Schultz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 28-November 7 |
Vernon God Little |
Stage Adaptation by Tanya Ronder of the novel by DBC Pierre |
Dwayne Brenna |
S: Jared Beattie C: Beverley Kobelsky L: Amberlin Hsu
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South Studio |
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February 10-13 |
7 Stories |
Morris Panych |
Pamela Haig Bartley |
S / C /L: Bradon Parfitt & Sdyney Schultz
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1st and 2nd year show North Studio |
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March 18-28 |
Coram Boy |
Stage Adaptation by Helen Edmundson of the novel by Jamila Gavin |
Natasha Martina Assistant Director: Wade Klassen |
S: Andrew Mareschal C: Beverley Kobelsky L: Amberlin Hsu & Jared Beattie
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South Studio |
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Date |
Production |
Playwright |
Director |
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Theatre |
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October 9-19 |
Eurydice |
Sarah Ruhl |
Dwayne Brenna |
S: Colin Konnrath C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 20-30 |
Better Living |
George F. Walker |
Natasha Martina
Assistant Director: Chris Donlevy |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Feb 11-14 |
Our Town |
Thornton Wilder |
Julia Jamison |
S / C /L: Jared Beattie & Amberlin Hsu
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1st and 2nd year show North Studio |
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March 19-29 |
Our Country’s Good |
Timberlake Wertenbaker |
Pamela Haig Bartley |
S: Karen Homer C: Beverley Kobelsky L: Stephen Wade ?
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 10 - 20 |
All My Sons |
Arthur Miller |
Pamela Haig Bartley |
S: Adam Naismith C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 21 – December 1 |
Henry IV, Part I |
William Shakespeare |
Dwayne Brenna |
S: Nicole Zalesak C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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March 20 – 30
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Into the Woods |
Music & Lyrics: Stephen Sondheim Book: James Lapine |
Julia Jamison |
S: Jenna Strangland C: Beverley Kobelsky / Nicole Zalesak L: Adam Naismith
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South Studio |
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Date |
Production |
Playwright |
Director |
Tech/Design |
Theatre |
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October 5-15 |
The Three Sisters |
Anton Chekhov |
Pamela Haig Bartley |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 16-26 |
Amadeus |
Peter Shaffer |
Julia Jamison |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Feb 1-11 |
All Through the Night |
Shirley Lauro |
Natasha Martina |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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March 21-31 |
The Love of the Nightingale |
Timberlake Wertenbaker |
Dwayne Brenna |
S: Jeremy Smith C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 6-16 |
Black Comedy |
Peter Shaffer |
Julia Jamison |
South Studio |
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November 17-27 |
The Crucible |
Arthur Miller |
James Guedo |
South Studio |
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February 9-19 |
Woyzeck |
George Buchner Adapted by Daniel Kramer |
Dwayne Brenna |
South Studio |
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March 23-April 2 |
The Odyssey |
Stage Adaptation by Mary Zimmerman of epic poem by Homer |
Natasha Martina |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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Oct 7- 17 |
Trafford Tanzi |
Claire Luckham |
Dwayne Brenna |
South Studio |
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Nov 18-28 |
Reckless |
Craig Lucas |
Pamela Haig Bartley |
South Studio |
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February 4-12 |
Assassins |
Music & Lyrics: Stephen Sondheim Book: John Weidman |
Julia Jamison |
South Studio |
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March 2-April 3 |
Peer Gynt |
Henrik Ibsen Adapted by James Guedo |
James Guedo |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 8 -18 |
Attempts on Her Life |
Martin Crimp |
Natasha Martina |
South Studio |
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November 20-29 |
Mother Courage and Her Children |
Bertolt Brecht Adapted by David Hare |
James Guedo |
South Studio |
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March 19-April 4 |
The Winter’s Tale |
William Shakespeare |
Pamela Haig Bartley |
South Studio |
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Date |
Production |
Playwright |
Director |
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Theatre |
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October 11 -20 |
The Ends of the Earth |
Morris Panych |
Natasha Martina |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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November 22 -December 1 |
The Laramie Project |
Moisés Kaufman and the members of the Tectonic Theatre Project |
James Guedo |
S: Jim Guedo C: Beverley Kobelsky L: Jim Guedo
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South Studio |
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February 7-15 |
An Experiment with an Air Pump |
Shelagh Stephenson |
Pamela Haig Bartley |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz |
South Studio |
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March 27-April 5 |
She Stoops to Conquer |
Oliver Goldsmith |
Dwayne Brenna |
S: Carla Orosz C: Beverley Kobelsky L: Carla Orosz
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South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 8 -18 |
[Sic] |
Melissa Gibson |
Pamela Haig Bartley |
South Studio |
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November 20-29 |
The Pinkerton Man |
Adapted by Dwayne Brenna from The Inspector General by Nikolai Gogol |
Dwayne Brenna |
South Studio |
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Bill of one-acts: Shorts IV |
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January 29 -February 9 |
For Whom the Southern Bell Tolls |
Christopher Durang |
Aaron Hursh |
South Studio |
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Interview |
Jean Claude van Italie |
Natasha Martina |
South Studio |
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No Exit |
Jean-Paul Sartre |
Mikayla Salmond |
South Studio |
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An Englishman Abroad |
Alan Bennett |
Kristen Holfeuer |
South Studio |
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The Bald Soprano |
Eugene Ionesco |
Brent McFarlane |
South Studio |
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March 21-31 |
Nothing Sacred |
George F. Walker |
James Guedo |
South Studio |
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Spring 2007 |
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Production |
Playwright |
Director |
Theatre |
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May 27 – 29 2007 |
Songs of A Prairie Girl |
Compiled by James Guedo Based on life and work of Joni Mitchell |
James Guedo |
South Studio
Congress of the Humanities and Social Sciences |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 13-22 |
Little Eyolf |
Henrik Ibsen |
Dwayne Brenna |
South Studio |
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November 24 -December 3 |
Songs of A Prairie Girl |
Compiled by James Guedo Based on life and work of Joni Mitchell |
James Guedo Assistant Director: Brian Cochrane |
South Studio |
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February 2 - 10 |
Cosi |
Louis Nowra |
Pamela Haig Bartley |
South Studio |
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March 30-April 7 |
Elizabeth Rex |
Timothy Findley |
Julia Jamison |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 14-23 |
The House of Bernarda Alba |
Frederiko Garcia Lorca |
James Guedo |
South Studio |
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November 25 -December 4 |
24/7 |
Created by ensemble |
Neil Cadger |
South Studio |
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February 3 - 11 |
7 Stories |
Morris Panych |
Julia Jamison Assistant Director: Brian Cochrane |
South Studio |
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March 24-April 2 |
The Rivals |
Richard Brinsley Sheridan |
Pamela Haig Bartley |
South Studio |
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Date |
Production |
Playwright |
Director |
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Theatre |
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October 9-18 |
The Mill on the Floss |
Stage Adaptation by Helen Edmundson of the novel by George Eliot |
Pamela Haig Bartley |
S: Tina Meister C: Beverley Kobelsky L: Stephen Wade
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South Studio |
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November 20 - 29 |
The Bacchae |
Euripides Adapted by C.K. Williams |
Neil Cadger |
S: Stephen Wade C: Beverley Kobelsky L: Stephen Wade
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South Studio |
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February 5 - 15 |
Top Dogs |
Urs Widmer |
Dwayne Brenna Assistant Director: Ian McWilliams |
S: Robyn ? C: Beverley Kobelsky L: Stephen Wade
|
South Studio |
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March 25-April 3 |
Mad Forest |
Caryl Churchill |
James Guedo |
S: Carla Orosz C: Carla Orosz L: Stephen Wade
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South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 10-19 |
Love and Anger |
George F. Walker |
Deborah Cottreau Assistant Director: Moira Day |
South Studio |
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November 21 -December 30 |
Loveplay |
Moira Buffini |
Pamela Haig Bartley Assistant Director: Tina Meister |
South Studio |
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February 6 - 14 |
Spring Awakening/Summer of Love |
Created by ensemble |
Neil Cadger Assistant Director: Michele Sereda |
South Studio |
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March 27 - April 6 |
A Midsummer Night’s Dream |
William Shakespeare |
Dwayne Brenna |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 11-20 |
One Flea Spare |
Naomi Wallace |
Pamela Haig Bartley Assistant Director: Michelle Korven |
South Studio |
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November 22 -December 1 |
Heartbreak House |
George Bernard Shaw |
Deborah Cottreau Assistant Director: Moira Day |
South Studio |
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February 7 - 15 |
Metamorphine |
Created by ensemble |
Neil Cadger |
South Studio |
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March 28-April 6 |
Macbeth |
William Shakespeare |
Dwayne Brenna |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 12-21 |
The Nerd |
Larry Shue |
Dwayne Brenna |
South Studio |
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November 25 -December 2 |
The Liar |
Carlo Goldoni Adapted by Frederick H. Davies |
Deborah Cottreau Assistant Director: Christine |
South Studio |
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February 8 - 16 |
Machinal |
Sophie Treadwell |
Pamela Haig Bartley Assistant Director: Moira Day |
South Studio |
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March 29-April 6 |
The Company of Wolves |
Angela Carter |
Neil Cadger |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 14-23 |
All in the Timing |
David Ives |
Frederick Edell |
South Studio |
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November 25 -December 4 |
You Can’t Take it With You |
George S. Kaufman and Moss Hart |
Pamela Haig Bartley Assistant Director: Moira Day |
South Studio |
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February 10 - 18 |
Dark Rapture |
Eric Overmyer |
Frederick Edell |
South Studio |
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March 23-April 1 |
Love and a Bottle |
Declan Hughes Adapted from George Farquhar |
Deborah Cottreau Assistant Director: Moira Day |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 15-24 |
Agnes of God |
John Peilmeier |
Gaye Burgess |
South Studio |
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November 26 -December 5 |
Arcadia |
Tom Stoppard |
Pamela Haig Bartley |
South Studio |
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February 4 - 13 |
Hubert Murray’s Widow |
Michael Harding |
Deborah Cottreau |
South Studio |
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March 25 - April 3 |
Marisol |
Jose Rivera |
Frederick Edell |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 9 -18 |
Sisters |
Wendy Lill |
Deborah Cottreau Assistant Director: Moira Day |
South Studio |
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November 20-29 |
The Three Sisters |
Anton Chekhov |
Pamela Haig Bartley |
South Studio |
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February 5 -13 |
Tartuffe |
Molière Translator: David Edney |
Dwayne Brenna |
South Studio |
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Bill of one-acts: Shorts III |
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March 26-April 4 |
Bankhead on a Napkin |
Malcolm Wilkinson |
Howard Whitbread |
South Studio |
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Back to the Kitchen, Woman! |
Elsie Park Gowan |
Moira Day |
South Studio |
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No Exit |
Jean-Paul Sartre |
Warren Cowell |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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Double Bill: Pvt. Wars /Lysistrata |
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October 10-19 |
Pvt. Wars
|
James McLure |
Henry Woolf |
Rm 282 |
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Lysistrata |
Aristophanes |
Henry Woolf |
Rm 282 |
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November 21 - 30 |
Romeo and Juliet |
William Shakespeare |
Dwayne Brenna |
South Studio |
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February 6 - 14 |
Hard Times |
Stage adaptation by John Huston of the novel by Charles Dickens |
John Huston |
South Studio |
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March 27 - April 5 |
The Grapes of Wrath |
Stage Adaptation by Frank Galati of the novel by John Steinbeck |
Frederick Edell |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 12-21 |
Boss Ubu |
Adaptation by Richard Payne with Brian Shien of Ubu Roi by Alfred Jarry |
Dwayne Brenna |
South Studio |
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November 24 -December 3 |
The Duchess of Malfi |
John Webster |
Henry Woolf |
South Studio |
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February 4 - 13 |
Lanc
*Commissioned for Department’s 50thanniversary season |
Don Kerr
|
Henry Woolf |
South Studio |
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March 28 - April 6 |
The Country Wife |
William Wycherley |
Pamela Haig Bartley Assistant Director: Moira Day |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 20-29 |
Charley’s Aunt |
Brandon Thomas |
Dwayne Brenna |
South Studio |
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November 24 -December 3 |
Cinderella |
Traditional Christmas pantomime |
Henry Woolf |
South Studio |
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February 9 - 17 |
Dancing at Lughnasa |
Brian Friel |
Denise Ferguson |
South Studio |
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March 23 - April 3 |
Bent |
Martin Sherman |
Frederick Edell |
South Studio |
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Date |
Production |
Playwright |
Director |
Theatre |
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November 25 – December 4 |
Zastrozzi
*First production in South Studio, John Mitchell Building |
George F. Walker |
Frederick Edell |
South Studio |
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November 24 -December 3 |
Our Country’s Good |
Timberlake Wertenbaker |
Pamela Haig Bartley |
South Studio |
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Bill of one-acts: Shorts II |
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March 24 - April 2 |
The Author’s Voice |
Richard Greenberg |
Leanne Griffin |
South Studio |
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Welcome to the Moon |
John Patrick Shanley |
Frederick Edell |
South Studio |
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Lunch |
Stephen Berkoff |
Pat Davidson |
South Studio |
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Texas Boy |
George Rideout |
Kristian Marken |
South Studio |
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Springtime |
Marie Irene Forbes |
Patti Shedden |
South Studio |
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Hamletmachine |
Heiner Müller |
Sasha Dundjerovic |
South Studio |
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The Bald Soprano |
Eugene Ionesco |
Brent McFarlane |
South Studio |
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Spring Tour 1994 |
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Production |
Playwright |
Director |
Theatre |
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Pump and the Dinettes |
John Foley, Mark Harwick, Debra Monk, Cass Morgan, John Schimmel and Jim Wann |
Mark von Eschen |
Various |
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Date |
Production |
Playwright |
Director |
Theatre |
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October 15-24 |
The Sea |
Edward Bond |
Henry Woolf |
Hangar Building |
|
November 26 -December 5 |
A Winter’s Tale |
William Shakespeare |
Pamela Haig Bartley Assistant Director: Moira Day |
Hangar Building |
|
February 11 - 19 |
The Hostage |
Brendan Behan |
Frederick Edell |
Hangar Building |
|
March 23 - April 3 |
Animal Crackers |
George S. Kaufman and Morrie Ryskind |
Henry Woolf |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1993 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Winners |
Brian Friel |
Frederick Edell |
Various |
|
|
Graceland |
Ellen Byron |
Frederick Edell |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 17 - 26 |
Marat/Sade |
Peter Weiss |
Henry Woolf |
Hangar Building |
|
November 18 - 23 |
The Seagull |
Anton Chekhov |
Dwayne Brenna |
Hangar Building |
|
January |
The Marriage of Figaro |
Beaumarchais Translator: David Edney |
Frederick Edell |
Hangar Building |
|
February 11 - 19 |
The Diviners |
Jim Leonard Jr. |
Pamela Haig Bartley |
Hangar Building |
|
March 23 - April 3 |
Red Noses |
Peter Barnes |
V. Dean and D. Reider |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 11- 20 |
A Flea in Her Ear |
Georges Feydeau |
Henry Woolf |
Hangar Building |
|
October 29- 31 |
Compromised Immunity |
Andy Kirby |
Henry Woolf |
Hangar Building |
|
November 15 - 24 |
Medea |
Euripides |
Walter Mills |
Hangar Building |
|
February 7 - 15 |
A Lie of the Mind |
Sam Shepard |
Frederick Edell |
Hangar Building |
|
|
Shorts I |
|
|
|
|
|
Bill of one-acts: Shorts I |
|
|
|
|
March 20 - March 30 |
|
|
|
|
|
Spring Tour 1991 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Waiting for the Parade |
John Murrell |
Dwayne Brenna |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 11 – 15 October 19 - 24 |
As You Like It |
William Shakespeare |
Dwayne Brenna |
Hangar Building |
|
November 3 – December 2 |
The Trial |
Stage Version by Steven Berkhoff of Franz Kafka’s novel |
Raymon Montalbetti |
Hangar Building |
|
February 8 - 16 |
The Way of the World |
William Congreve |
Ronald Mavor |
Hangar Building |
|
March 15 - 24 |
Ah, Wilderness |
Eugene O’Neill |
Walter Mills |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1990 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Volstead Blues |
Billy Morton |
Alice Luther |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 15 – 17
|
The Empty Chair |
Dwayne Brenna |
R. Corners |
Hangar Building |
|
October 13 – 22 |
The Rover |
Aphra Behn |
Dwayne Brenna |
Hangar Building |
|
November 24 – December 10 |
The Mysteries |
S. Williamson |
Henry Woolf |
Hangar Building |
|
March 15 - 24 |
A Midsummer Night’s Dream |
William Shakespeare |
Henry Woolf |
Hangar Building |
|
March 8 - 18 |
Sticks and Stones |
James Reaney |
Alice Luther |
Hangar Building |
|
Spring Tour 1989 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Crimes of the Heart |
Beth Henley |
Alice Luther |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 15 – 24
|
Much Ado About Nothing |
William Shakespeare |
Dwayne Brenna |
Hangar Building |
|
November 12 – 24 |
Danton’s Death |
Georg Büchner |
Henry Woolf |
Hangar Building |
|
February 4 - 12 |
The Devil’s Disciple |
George Bernard Shaw |
Walter Mills |
Hangar Building |
|
March 15 - 24 |
The Beggar’s Opera |
John Gay |
Henry Woolf |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1988 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Dracula |
Crane Johnson |
Dwayne Brenna |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 16– 27
|
The Wild Duck |
Henrik Ibsen |
Ronald Mavor |
Hangar Building |
|
November 13 – 22 |
The Beaux Stratagem |
George Farquhar |
Pamela Haig Bartley |
Hangar Building |
|
February 5 - 13 |
A Patriot For Me |
John Osborne |
Henry Woolf |
Hangar Building |
|
March 19 - 28 |
Tsymbaly |
Ted Galay |
Henry Woolf |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1987 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Bell, Book and Candle |
John Van Druten |
Walter Mills |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 17– 26
|
The Merchant of Venice |
William Shakespeare |
Ronald Mavor |
Hangar Building |
|
November 14 – 23 |
The Prime of Miss Jean Brodie |
Stage version by Jay Presson Allen of the novel by Muriel Sparks |
Henry Woolf |
Hangar Building |
|
February 6 - 14 |
Under the Gaslight |
Augustin Daly |
Walter Mills |
Hangar Building |
|
March 20 - 29 |
Joseph and His Amazing Technicolour Dreamcoat |
Music: Andrew Lloyd Webber Lyrics: Tim Rice
|
Henry Woolf |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1986 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
You’re a Good Man, Charlie Brown |
Music and Lyrics: Clark Gesner |
Pamela Haig Bartley |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 2– 13
|
Our Town |
Thornton Wilder |
Henry Woolf |
Hangar Building |
|
November 20 – 24 |
Oh, What a Lovely War |
Adaptation by John W. Casson of epic musical by Joan Littlewood and the Theatre Workshop as adapted from the radio musical, The Long, Long Trail by Charles Chilton, and the book The Donkeys |
Henry Woolf |
Hangar Building |
|
February 5 - 9 |
The White Devil |
John Webster |
Ronald Mavor |
Hangar Building |
|
March 12 - 16 |
A Comedy of Errors |
William Shakespeare
|
Dwayne Brenna |
Hangar Building |
|
March 27 - 30 |
By Grand Central Station I Sat Down and Wept |
Elizabeth Smart |
Ruth Smilie |
Hangar Building |
|
Spring Tour 1985 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Papa is All |
Patterson Greene |
Walter Mills |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 27 – October 1
|
Double Bill:Hughie/The Zoo Story |
|
|
|
|
|
Hughie |
Eugene O’Neill |
Henry Woolf |
Hangar Building |
|
November 1 – 5 *Also in Regina |
Hamlet |
William Shakespeare |
Henry Woolf |
Hangar Building |
|
November 15 - 23 |
A Comedy of Errors |
William Shakespeare
|
Dwayne Brenna |
Hangar Building |
|
March 27 - 30 |
Rosencrantz and Guildenstern are Dead |
Tom Stoppard |
James Guedo |
Hangar Building |
|
|
In Repertory Wild Oats/ Somewhere Else |
|
|
|
|
March 2 -8 |
Wild Oats |
John O’Keefe
|
Henry Woolf |
Hangar Building |
|
|
Somewhere Else |
Harold Pinter |
Henry Woolf |
Hangar Building |
|
Summer Stock (?) 1984 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Private Ear |
Peter Shaffer |
James Guedo |
Various |
|
|
Public Ear |
Peter Shaffer |
James Guedo |
Various |
|
|
Chokecherry Wine |
Walter Mills |
Walter Mills and David Kaplan |
Various |
|
|
Gaslight |
Patrick Hamilton
|
Jane Casson |
Various |
|
|
Crimes of the Heart |
Beth Henley |
James Guedo |
Various |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 10 – 24
|
Godspell |
Music: Stephen Schwartz Book: John-Michael Tebelak Based on the Gospel of St. Matthew |
R. Wallis |
Hangar Building |
|
October 1 – 2 |
Hancock’s Last Half Hour |
Heathcote Williams |
Henry Woolf |
Hangar Building |
|
|
|
|
|
|
|
|
In Repertory:Twelfth Night/Hamlet |
|
|
|
|
October 4 – 16 |
Twelfth Night |
William Shakespeare
|
Henry Woolf |
Hangar Building |
|
|
Hamlet |
William Shakespeare |
Tom Kerr |
Hangar Building |
|
November 23 – 27 |
Playboy of the Western World |
J.M. Synge |
Tom Kerr Assistant Director: James Guedo |
Hangar Building |
|
February 3 – 10 |
Peer Gynt |
Henrik Ibsen
|
Henry Woolf |
Hangar Building |
|
March 21 – April 2 |
Guys and Dolls |
Music and Lyrics: Frank Loesser Book: Jo Swerling and Abe Burrows |
Tom Kerr R. Fox C. Macdonald |
|
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 14-19
|
Boeing, Boeing |
Mark Camolotti |
Dorothy Ward |
Hangar Building |
|
September 24-26 |
The Caretaker |
Harold Pinter |
James Guedo |
Hangar Building |
|
September 28 – October 3 |
I Do, I Do |
Tom Jones and Harvey Schmidt |
L. Morris |
Hangar Building |
|
January 14 - 23 |
Whose Life Is It Anyway? |
Brian Clark
|
Tom Kerr |
Hangar Building |
|
February 5 - 11 |
The Three Sisters |
Anton Chekhov |
Ronald Mavor |
Hangar Building |
|
March 18 – 20 March 24 - 27 |
A Midsummer Night’s Dream |
William Shakespeare |
Jane Casson |
Hangar Building |
|
|
|
|
|
|
|
Spring Tour 1982 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Godspell |
Music: Stephen Schwartz Book: John-Michael Tebelak Based on the Gospel of St. Matthew |
R. Wallis |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 10 – 13
|
Loot |
Joe Orton |
Ian Nelson |
Hangar Building |
|
September 17 -20 |
Play It Again, Sam |
Woody Allen |
John Wright |
Hangar Building |
|
September 30 – October 4 |
Macbeth |
William Shakespeare |
Tom Kerr |
Hangar Building |
|
December 2 - 5 |
The Caretaker |
Harold Pinter
|
William Wallace |
Hangar Building |
|
|
|
|
|
|
|
|
Double Bill of one-acts: Tonight at Eight |
|
|
|
|
January 20 - 24 |
Family Album |
Noel Coward |
Tom Kerr |
Hangar Building |
|
|
Still Life |
Noel Coward
|
Jane Casson |
Hangar Building |
|
|
|
|
|
|
|
February 6 - 12 |
The House of Atreus |
Tyrone Guthrie and John Lewin
|
Ronald Mavor |
Hangar Building |
|
March 24 - 28 |
The Elephant Man |
Bernard Pomerance |
Tom Kerr |
Hangar Building |
|
|
|
|
|
|
|
Summerstock 1981 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
I Do, I Do |
Tom Jones and Harvey Schmidt |
L. Morris |
Various |
|
|
Mrs. Warren’s Profession |
George Bernard Shaw |
Eric Schneider |
Various |
|
|
Sexual Perversity in Chicago |
David Mamet |
James Guedo |
Various |
|
|
The Zoo Story |
Edward Albee
|
Tom Kerr |
Various |
|
|
Boeing, Boeing |
Mark Camoletti |
Dorothy Ward |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 18 – 22 September 25 - 29
|
Creeps |
David Freeman |
Tom Kerr |
Hangar Building |
|
September 17 -20 |
Candida |
George Bernard Shaw |
Tom Kerr |
Hangar Building |
|
September 30 – October 4 |
Kiss Me, Kate |
Music and Lyrics: Cole Porter Book: Samuel and Bella Spewack |
Grace MacDonald |
Hangar Building |
|
November 27 – December 1 |
The Crucible |
Arthur Miller
|
Paddy English |
Hangar Building |
|
January 30 – February 2 |
Bull Durham |
Jeremy Newson |
Victor Young |
Hangar Building |
|
March 5 - 9 |
The Taming of the Shrew |
William Shakespeare |
Susan Wright |
Hangar Building |
|
|
|
|
|
|
|
Summerstock 1980 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Macbeth |
William Shakespeare |
Tom Kerr |
Various |
|
|
Loot |
Joe Orton |
Ian Nelson |
Various |
|
|
Play it Again, Sam |
Woody Allen |
John Wright |
Various |
|
|
Mirage |
Gwen Pharis Ringwood |
Tom Kerr |
Saskatchewan 75thAnniversary tour and Canadian Multicultural Theatre Festival in Edmonton |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
September 13– 16
|
Arms and the Man |
George Bernard Shaw |
A. George |
Hangar Building |
|
November 1 – 4 November 9 - 17 |
Romeo and Juliet |
William Shakespeare |
Paddy English |
Hangar Building |
|
November 9 - 17 |
West Side Story |
Music: Leonard Bernstein Lyrics: Stephen Sondheim Book: Arthur Laurents |
Tom Kerr Grace MacDonald |
Hangar Building |
|
February 21 – 24 February 26 – March 3 |
Seasons |
Fox/Kerr/Wright
|
Tom Kerr |
Hangar Building |
|
February 28 – March 3 |
The Caucasian Chalk Circle |
Bertolt Brecht |
Eric Schneider |
Hangar Building |
|
April 5 - 7 |
You’re Gonna Be Alright Jamie Boy |
David Freeman |
M. Bianchin |
Hangar Building |
|
|
|
|
|
|
|
Summerstock 1979 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
May - June |
Mirage |
Gwen Pharis Ringwood |
Tom Kerr |
Greystone Theatre, Learned Societies Conference |
|
|
Creeps |
David Freeman |
Tom Kerr |
Edinburgh International Fringe Festival. Award |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 4 - 8 October 11 - 15 |
Equus |
Peter Shaffer |
Tom Kerr |
Hangar Building |
|
|
|
|
|
|
|
November 1 – 5
|
Double Bill of one-acts: After Magritte/ The Real Inspector Hound |
|
|
|
|
|
After Magritte |
Tom Stoppard |
Paddy English |
Hangar Building |
|
|
The Real Inspector Hound |
Tom Stoppard
|
Paddy English |
Hangar Building |
|
|
|
|
|
|
|
November 22 - 26 |
Antigone |
Sophocles |
Eric Schneider |
Hangar Building |
|
January 31 – February 4 |
The Royal Gambit |
Herman Gressicker |
Ronald Mavor |
Hangar Building |
|
February 23 – 25 March 1 - 4 |
Love’s Labour Lost |
William Shakespeare |
M. Bianchin |
Hangar Building |
|
March 28 – April 1 |
Butley |
Simon Gray |
Tom Kerr |
Hangar Building |
|
|
|
|
|
|
|
Summerstock 1978 |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Arms and the Man |
George Bernard Shaw |
A. George |
Various |
|
|
My Fat Friend |
Charles Lawrence |
Tom Kerr |
Various |
|
|
Night of Pinter |
Harold Pinter |
E. Rose, V. Weller, I. Watts |
Various |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
|
Double Bill of one-acts: The Shewing Up of Blanco Posnet / The Man of Destiny |
|
|
|
|
October 19-23
|
The Shewing Up of Blanco Posnet |
George Bernard Shaw |
Tom Kerr |
Hangar Building |
|
|
The Man of Destiny |
George Bernard Shaw |
Tom Kerr |
Hangar Building |
|
|
|
|
|
|
|
November 23 - 27 |
The Resistable Rise of Arturo Ui |
Bertolt Brecht |
Tom Kerr |
Hangar Building |
|
January 25 - 29 |
Butterflies Are Free |
Leonard Gershe |
Walter Mills |
Hangar Building |
|
February 3 -5 |
The Maids |
Jean Genet |
B. Salvatore |
Hangar Building |
|
March 9 -12 March 16 - 19 |
Canterbury Tales |
Music: Richard Hill and John Hawkins Lyrics: Nevill Coghill Book: Martin Starkie and Nevill Coghill Adapted from epic poem by Geoffrey Chaucer |
Tom Kerr and Grace MacDonald |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
February 4 - 6
|
A Man For All Seasons |
Robert Bolt |
R. Boychuk |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 24 - 26 November 1 - 3 |
Marat/Sade |
Peter Weiss |
D. Nalbach |
Hangar Building |
|
January 30 – February 1 February 6 - 8 |
Godspell |
Music: Stephen Schwartz Book: John-Michael Tebelak Based on the Gospel of St. Matthew |
A. George James Hawn |
Hangar Building |
|
March 7 - 8 |
The Way of the World |
William Congreve |
D. Nalbach |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 1 – 3 November 8 - 10
|
The Merchant of Venice |
William Shakespeare |
Patrick B. O’Neill |
Hangar Building |
|
December 1 and December 8
|
Beauty Sleeping (children’s theatre) |
James F. Frank |
J. Frank |
Hangar Building |
|
January 31 – February 1 |
I Am a Camera |
John Van Druten |
Walter Mills |
Hangar Building |
|
February 28 – March 2 March 7 - 9 |
Oedipus, the King |
Sophocles |
D. Nalbach |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 3 - 11
|
The Beggar’s Opera |
John Gay |
D. Nalbach |
Mainstage Hangar Building |
|
November 17 - 25 |
The Owl and the Pussycat |
Bill Manhoff |
P. Gambling |
Studio Theatre Hangar Building |
|
December 1 - 9 |
The Effect of Gamma Rays on Man-In-The-Moon |
Paul Zindel |
Walter Mills |
Mainstage Hangar Building |
|
January 19 - 27 |
The Cross of Seester Badlock |
Kevin Costello |
M. Webb |
Studio Theatre Hangar Building |
|
February 2 - 10 |
The Hostage |
Brendan Behan |
Patrick B. O’Neill |
Mainstage Hangar Building |
|
February 16 - 24 |
Old Times |
Harold Pinter |
D. Nalbach |
Studio Theatre Hangar Building |
|
March 9 -12 March 16 - 19 |
Camille (La Dame aux Camélias) |
Alexandre Dumas, Fils |
Walter Mills |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 5 - 14
|
Rosencrantz and Guildenstern are Dead |
Tom Stoppard |
D. Nalbach |
Hangar Building |
|
December 3 – 5 December 10 - 12 |
Tiny Alice |
Edward Albee |
R. Clarke |
Hangar Building |
|
February 4 – 6 February 10 - 13 |
Lysistrata |
Aristophanes |
Walter Mills |
Hangar Building |
|
March 3 -5 March 8 - 12 |
Hamlet |
William Shakespeare |
R. Clarke |
Hangar Building |
|
February 2 - 10 |
The Hostage |
Brendan Behan |
Patrick B. O’Neill |
Mainstage Hangar Building |
|
February 16 - 24 |
Old Times |
Harold Pinter |
D. Nalbach |
Studio Theatre Hangar Building |
|
March 9 -12 March 16 - 19 |
Camille (La Dame aux Camélias) |
Alexandre Dumas, Fils |
Walter Mills |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 21 - 22
|
Visual Delights (Niagara on the Lake) |
Canadian Mime Theatre |
Canadian Mime Theatre |
Hangar Building |
|
November 6 – 8 November 14 - 16 |
Three on a Honeymoon (formally Lullaby) |
Don Appell |
Walter Mills |
Hangar Building |
|
December 4 - 13 |
The Merry Wives |
William Shakespeare |
D. Nalbach |
Hangar Building |
|
January 20 and January 23 |
Many Moons (a children’s play) |
James Thurber |
Margo Day |
Hangar Building |
|
February 5 – 7 February 12 - 14 |
Uncle Vanya |
Anton Chekhov |
R. Clarke |
Hangar Building |
|
March 5 - 7 |
Flowers for Algernon |
David Rogers |
Walter Mills |
Studio Theatre Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 7 – 9 November 14 - 16
|
The Importance of Being Earnest |
Oscar Wilde |
Emrys Jones |
Hangar Building |
|
December 5 – 7 December 12 – and December 1 (?) |
The Visit |
Friedrich Dürenmatt |
Walter Mills |
Hangar Building |
|
February 6 – 8 February 13 - 15 |
The Caretaker |
Harold Pinter |
D. Nalbach |
Hangar Building |
|
|
|
|
|
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|
|
Bill of one-acts: Three Plus One
|
|
|
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|
March 13 - 16 |
The Fumed Oak |
Noel Coward |
|
Hangar Building |
|
|
The Dark Lady of the Sonnets |
George Bernard Shaw |
|
Hangar Building |
|
|
Waiting for the ‘bus |
Gertrude E. Jennings |
|
Hangar Building |
|
|
Bedtime Story |
Sean O’Casey |
|
Hangar Building |
|
|
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|
Date |
Production |
Playwright |
Director |
Theatre |
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|
November 6 – 9
|
Private Lives |
Noel Coward |
Walter Mills |
Hangar Building |
|
December 3– 7 December 13 – and December (?) |
Don (?) Juan |
Molière |
John H. Wright |
Hangar Building |
|
February 5– 8
|
Bell, Book and Candle |
John Van Druten |
B. Anderson |
Hangar Building |
|
March 5 - 8 |
Barefoot in the Park
|
Neil Simon |
J.L. Hornstein |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
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September 22
|
Double Bill |
|
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|
|
Les Fauberues de Scapin |
Molière |
Canadian University Centennial Players |
Hangar Building |
|
|
Arnold Has Two Wives |
Aviva Ravel |
Canadian University Centennial Players |
Hangar Building |
|
|
|
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|
October 17 - 21 |
Double Bill from Regina Love and Marriage |
|
|
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|
|
A Slight Ache |
Harold Pinter |
Eric Salmon |
Hangar Building |
|
|
Overruled |
George Bernard Shaw |
Eric Salmon |
Hangar Building |
|
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|
November 8 - 11 |
The Concert (Formally Counterpoint) * world premiere |
Joseph Schull |
Walter Mills |
Hangar Building |
|
December 6 - 9 |
The Children’s Hour |
Lillian Hellman |
R. Williams |
Hangar Building |
|
January 24 - 29 |
Firebugs |
Max Frisch |
R. Williams |
Hangar Building |
|
February 7 - 10 |
Playboy of the Western World |
J.M. Synge |
Barry (?) Pearson |
Hangar Building |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
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|
November 4-5
|
Ghosts |
Henrik Ibsen |
J.H. Bledsoe |
Hangar Building |
|
November 25 - 26 |
Look Back in Anger |
John Osborne |
Senior Directing Student *Experimental Theatre Offering |
Hangar Building |
|
December 9 – 10 December 16 - 17 |
The Skin of Our Teeth |
Thornton Wilder |
Walter Mills |
Hangar Building |
|
January 20 - 21 |
The Cretan Women |
Adapted by R. Jeffers from Hippolytus by Euripides |
J. Ross |
Hangar Building |
|
February 3 – 4 February 10 - 11 |
The Glass Menagerie |
Tennessee Williams |
A.R. Williams |
Hangar Building |
|
March 3 - 4 March 10 -11 |
The Misers |
Molière |
Barry (?) Pearson |
Hangar Building |
|
|
|
|
|
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|
March (?) |
Bill of one-acts: New Voices |
|
|
|
|
|
Twice Upon A Time |
Barry (?) Pearson |
|
Hangar Building |
|
|
Euthanasia’s Kiss |
L. Rose |
|
Hangar Building |
|
|
The Heroine |
Barry (?) Pearson |
|
Hangar Building |
|
|
|
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|
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|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 20 – 23 October 29 - 30
|
Candida
* In honour of the 20th Anniversary of Greystone Theatre |
George Bernard Shaw |
Emrys Jones
|
Hangar Building |
|
December 3 – 4 December 10 -11 |
Picnic |
William Inge |
R. Williams |
Hangar Building |
|
February 24 – March 2 |
La Périchole (in French) |
Music: Jacques Offenbach Libretto: Ludovic Halévy & Henri Meilhac |
Walter Mills R. McFarland |
Hangar Building |
|
|
|
|
|
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|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 25-28 December 2 - 5
|
Twelfth Night (or What You Will) |
William Shakespeare |
Walter Mills Emrys Jones |
Hangar Building |
|
February 3 - 6 |
Blithe Spirit |
Noel Coward |
Walter Mills |
Hangar Building |
|
|
|
|
|
|
|
March 12 - 13 |
Bill of one-acts: New Voices |
|
|
|
|
|
Tomorrow the Dove |
B. McLeod |
|
Hangar Building |
|
|
Of Causes Unknown |
Vic Sutton |
|
Hangar Building |
|
|
All Our Yesterdays |
S. Calloway |
|
Hangar Building |
|
|
|
|
|
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|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 1 – 2 November 8 - 9
|
Tiger at the Gates |
Jean Giraudoux As adapted by Christopher Fry |
J.H. Bledsoe |
Hangar Building |
|
December 6 -7 December 13 -14 |
The Waltz of the Toreadors |
Jean Anouilh |
C. Phillabaum |
Hangar Building |
|
February 5 - 8 |
Summer and Smoke |
Tennessee Williams |
A.R. Williams |
|
|
March 4 - 7 |
The House of Bernarda Alba |
Frederico Garcia Lorca |
C. Phillabaum |
Hangar Building |
|
|
|
|
|
|
|
March 13 - 14 |
Bill of one-acts New Voices |
|
|
|
|
|
Miss Julie |
August Strindberg |
|
Hangar Building |
|
|
Catherine Parr |
Maurice Baring |
|
Hangar Building |
|
|
The Lesson |
Eugene Ionesco |
|
Hangar Building |
|
|
Bedtime Story |
Sean O’Casey |
|
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
October 3 - 6
|
Tartuffe |
Molière |
George Wall |
Hangar Building |
|
December 5 - 8
|
Roshomon |
Fay Kanin & Michael Kanin |
J.H. Bledsoe |
Hangar Building |
|
|
|
|
|
|
|
February 6 – 9 |
The Cradle Song |
Gregorio Martínez Sierra & María Lejárraga MartinezSierra |
A.R. Williams |
Hangar Building |
|
|
|
|
|
|
|
|
Bill of one-acts: New Voices |
|
|
|
|
February 17 |
Little Brown Jug |
I. Van Dyke |
|
Hangar Building |
|
|
Bird of Time |
Barry (?) Pearson |
|
Hangar Building |
|
|
Unto the Third and Fourth Generation |
C. Girgulis |
|
Hangar Building |
|
|
|
|
|
|
|
March 6 – 9 |
Right You Are (If You Think You Are) |
Luigi Pirandello |
George Wall |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 1 - 4
|
The Love of Four Colonels |
Peter Ustinov |
Frank Holroyd |
Hangar Building |
|
December 6 -9
|
Dark of the Moon |
Howard Richardson & William Berney |
J.H. Bledsoe |
Hangar Building |
|
February 21 - 24 |
The Silver Cord |
Sidney Howard |
Emrys Jones |
Hangar Building |
|
|
|
|
|
|
|
|
Bill of one-acts: Six New Canadian Plays |
|
|
|
|
March 16 – 17 |
Wait Till You Meet Her |
P. Vickery |
|
Hangar Building |
|
|
Rites |
James Pfeifer |
|
Hangar Building |
|
|
The Quiet Times |
Barry (?) Pearson |
|
Hangar Building |
|
|
I’ll Never Leave You, Lizzie |
M. Box |
|
Hangar Building |
|
|
A Tiger Sleeps |
Pat Ryan |
|
Hangar Building |
|
|
Coda for Strings |
A. Smith |
|
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 9 - 12
|
The Constant Wife |
Somerset Maugham |
Carl Hare |
Hangar Building |
|
February 1 - 4
|
As You Like It |
William Shakespeare |
Carl Hare |
Hangar Building |
|
|
|
|
|
|
|
|
Bill of one-acts: A Festival of Short Plays |
|
|
|
|
March 10 - 11 |
Fumed Oak |
Noel Coward |
Vic Sutton |
Hangar Building |
|
|
Another Way Out |
Lawrence Langner |
Dennis Beerling |
Hangar Building |
|
|
Riders to the Sea |
John Millington Synge |
Marilyn Metz |
Hangar Building |
|
|
The Valiant |
Holworthy Hall and Robert Middlemass |
Zoro Lucyk |
Hangar Building |
|
|
Like It or Not |
A. Flavell |
Ani Schnell |
Hangar Building |
|
|
Helena’s Husband |
Philip Moeller |
Ror(?) George |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 4 - 7
|
Heartbreak House |
George Bernard Shaw |
J.H. Crouch |
Hangar Building |
|
December 2 - 5
|
The Time of Your Life |
William Saroyan |
J.H. Crouch |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 5 - 8
|
Dial ‘M’ for Murder |
Frederick Knott |
Emrys Jones |
Hangar Building |
|
December 3 - 6
|
The Madwoman of Chaillot |
Jean Giraudoux |
Robert Hinitt |
Hangar Building |
|
June 1 – 3 July 7 – 11
|
Royalty is Royalty
*World premiere
*In celebration ofUniversity of Saskatchewan’s 50 year Jubilee |
W.O. Mitchell (First stage play) |
Emrys Jones |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
December 4 - 7
|
My Three Angels |
Sam and Bella Spewack Adapted from Cuisine des Angesby Albert Husson |
Emrys Jones |
Hangar Building |
|
February 5 - 8
|
The Adding Machine |
Elmer Rice |
Emrys Jones |
Hangar Building |
|
April 9 -12 |
The Curious Savage |
John Patrick |
Emrys Jones |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
December 5 - 8
|
Bernardine |
Mary Chase |
Walter Mills |
Hangar Building |
|
February 1 - 2 February 8-9 |
Pygmalion |
George Bernard Shaw |
Frank Holroyd |
Hangar Building |
|
March 1 -2 March 8 - 9 |
Our Town |
Thornton Wilder |
Walter Mills |
Hangar Building |
|
|
|
|
|
|
|
Summer School |
|
|
|
|
|
August 5 - 6 |
Suppressed Desires |
Susan Glaspell |
|
Hangar Building |
|
|
Helena’s Husband |
Philip Moeller |
|
Hangar Building |
|
|
The Dear Departed |
Stanley Houghton |
|
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 9 – 12
|
Candida
* In celebration of 10th anniversary of Greystone Theatre |
George Bernard Shaw |
Emrys Jones |
Hangar Building |
|
February 1 and February 4 |
Amphitryon 38 |
Jean Giraudoux |
Emrys Jones |
Hangar Building |
|
March 14 - 17 |
The Women |
Clare Boothe Luce |
Emrys Jones |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
January 12 - 15 |
Hell-Bent Fer Heaven |
Hatcher Hughes |
Emrys Jones Frank Holroyd |
Hangar Building |
|
March 9 - 12 |
Medea |
Adapted by Robinson Jeffers from play from Euripides |
Emrys Jones Frank Holroyd |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 12 and November 1(?)
|
No Exit |
Jean Paul Sartre |
Frank Holroyd |
Hangar Building |
|
December 17 - 19 |
The Dover Road |
A.A. Milne |
Frank Holroyd |
Hangar Building |
|
February 24 - 27 |
Electra |
Sophocles |
Emrys Jones |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 6 - 8
|
Bird in Hand |
John Drinkwater |
Frank Holroyd |
Hangar Building |
|
5 – December (?)
|
The Dream Unfolds |
Neil Harris |
Neil Harris |
Hangar Building |
|
January 29 - 31 |
The Queen of Spades |
Adapted by the cast from the short story by Alexander Pushkin |
Frank Holroyd |
Hangar Building |
|
|
|
|
|
|
|
|
Bill of one-acts (?) |
|
|
|
|
March 10 -11 |
The Immigrant |
|
S. Arsenych |
Hangar Building |
|
|
Duel in the Dark |
|
|
Hangar Building |
|
|
The Sculptor |
|
|
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
August 1 – 3 November 1 - 3
|
Ladies in Retirement |
Edward Percy and Reginald Denham |
Frank Holroyd |
Hangar Building |
|
December 1 and December 8 (Regina)
December 12- 15 (Saskatoon) |
The Importance of Being Earnest |
Oscar Wilde |
Emrys Jones |
Darke Hall, Regina
Greystone Theatre |
|
|
|
|
|
|
|
|
In Repertory |
|
|
|
|
March 13 -15 |
Antigone |
Sophocles |
Emrys Jones |
Hangar Building |
|
|
A Phoenix Too Frequent |
Christopher Fry |
Frank Holroyd |
Hangar Building |
|
|
|
|
|
|
|
March 31 – April 5 |
The Bartered Bride |
Music: Bedřich Smetana Libretto: Karel Sabina |
Emrys Jones in co-operation with Saskatoon Lyric Opera Company |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
November 30 – December 2 December 7 - 9
|
The Cradle Song |
Gregorio Martínez Sierra & María Lejárraga MartinezSierra |
Frank Holroyd |
Hangar Building |
|
February 23 and February 24 February 26 - 28 March 1 - 3
|
Romeo and Juliet |
William Shakespeare |
J.L. O’Donnell |
Hangar Building |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
January 27 – February2 |
Oedipus, the King *First production in Greystone Theatre Hangar Building |
Sophocles |
Frank Holroyd |
Greystone Theatre Hangar Building |
|
|
|
|
|
|
|
Third Summer Tour |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Squaring the Circle |
Valentine Kataev Translator: Constantine H. Andrusyshen |
Emrys Jones |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
February 22 -26 |
Escape |
John Galsworthy |
Emrys Jones (?) |
Convocation Hall |
|
|
|
|
|
|
|
Second Summer Tour |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
Raisin’ the Devil |
Robert Gard |
Emrys Jones |
Various |
|
|
To What Purpose |
Boissoneault & Chapman |
Emrys Jones |
Various |
|
|
Cox and Box |
John M. Morton |
Emrys Jones |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
|
Bill of one-acts |
|
|
|
|
March 22 -24
|
We Got Rhythm |
Nora Ratcliff |
Del Dupperon |
Convocation Hall |
|
|
Riders to the Sea |
John Millington Synge |
Betty Walker |
Convocation Hall |
|
|
Eros at Breakfast |
Robertson Davies |
Frances Hyland |
Convocation Hall |
|
|
|
|
|
|
|
First Summer Tour |
|
|
|
|
|
|
Production |
Playwright |
Director |
Theatre |
|
|
A Doctor in Spite of Himself |
Molière |
Emrys Jones |
Various |
|
|
“Pyramis and Thisbe Interlude” from A Midsummer Night’s Dream |
William Shakespeare |
Emrys Jones |
Various |
|
|
|
|
|
|
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
March 12 - 15 |
The Lady of Belmont |
St. John Ervine |
Emrys Jones |
Convocation Hall |
|
Date |
Production |
Playwright |
Director |
Theatre |
|
|
|
|
|
|
|
March 15 - 16 |
Candida *Inaugural production |
George Bernard Shaw |
Emrys Jones |
Convocation Hall |
|
|
|
|
|
|
|
|
Bill of one-acts |
|
|
|
|
August 4 - 5 |
Gammer Gurton’s Needle |
Mr. S. Master of Arts |
Emrys Jones |
Convocation Hall |
|
|
Why I am a Bachelor |
Conrad Seiler |
Emrys Jones |
Convocation Hall |