Cast
Mr. Samsa | Jonny MacPherson (4) |
Mrs. Samsa | Gillian Garvie* (4) |
Gregor | Piper Nordell* (4) |
Greta | Emily Pitters (2) |
Clerk | Siyam Hassan (2) |
Lodger | Kaeleigh Folk (3) |
*In fulfillment of DRAM 419 () representive of year of drama program |
Creative Team
Director | Natasha Martina |
Set Design | Darius Kiskotagan* (4) |
Costume Design | Hannah Fehr* (4) Beverley Kobelsky |
Lighting Design | Cody Brayshaw* (4) |
Sound Design | Aiden Maddison (2) Natasha Martina |
Prop Design | Brooklynn Bitner |
*In partial fulfillment of BFA (Design) () representive of year of drama program |
Crew
Stage Manager | Jordan Sherling |
Assistant Stage Manager | Juno Haywood Corbin Basso |
Production Manager | Ken MacKenzie |
Head of Wardrobe | Beverley Kobelsky |
Costume Assistant | Emma Gustafson |
Head of Props | Brooklynn Bitner |
Props Assistant | Darius Kiskotagan |
Head Carpenter | Iain Rose |
Lighting Crew | Carlos Martinez Jenna Stang Jordan Sherling Aiden Maddison Juno Haywood Randy Huang Xander Scribante Nicole Tarry Gabe Martell |
Lighting Operator | Ken MacKenzie |
Sound Operator | Corbin Basso |
Violinist (Greta's solo pieces) | Wagner Barbosa |
Recording and Sound Engineer (live music) |
Shannon Blanchet |
Box Office Staff | Deanna Black Ava Johnson James Miller Chinaza Onyeneke |
Director's Notes
I have wanted to direct one of Steven Berkoff’s plays ever since my arrival at the U of S in 2006, but it never quite felt “the right time” – until now. In each of his works, Berkoff is known to be highly stylized and expressionistic, with an emphasis on the body telling the story, while scenic and other elements play a supporting role. Berkoff adapted several of Kafka’s works including Metamorphosis, The Trial, and The Penal Colony, with Metamorphosis being performed under Berkoff’s direction several times, from its inception in 1969 to its 2010 production in Tokyo. It is almost as though Berkoff and Kafka were brothers in a former life given their mutual attraction to stories that highlight the surreal and the absurd.
“Man is nothing but his profession” Franz Kafka
Metamorphosis highlights many themes including: identity; desire to revolt but constrained by familial duties; gender roles; mental health; and transformation. What really intrigued me about this play was the central premise associated with how one’s job defines who they are; or stated in the form of a question, is there more to life than our profession? Transformation is a part of life’s natural course; but at issue here is the degree to which one can consciously choose their own path as opposed to being forced – day in, and day out – to do something, anything, merely to survive.
For my part, it continues to be an immense pleasure to be able to direct so many of our students over the years as part of the Greystone season. What is more, without patrons such as you, this simply would not be possible. Thank you supporting the Department of Drama.
- Natasha Martina
Acknowledgements
A special thank you to Shakespeare on the Saskatchewan and Production Lighting!
Upcoming!