B. Journalism (Carleton), M.A. (Saskatchewan), Ph.D. (McGill)
Office: Arts 419
Teaching & Supervision
Wendy Roy is Undergraduate Chair in the Department of English. She teaches classes in Canadian Literature, Canadian Fiction, and Canadian Drama; she has supervised three Masters research projects and is currently supervising two PhD dissertations.
Honours, Awards & Distinctions (Most Recent)
- Inaugural Learning Communities Teaching Award, awarded by University of Saskatchewan, April 22, 2010
- Finalist, Scholarly Writing Prize, for Maps of Difference: Canada, Women, and Travel, awarded by Saskatchewan Book Awards, November 26, 2005
Wendy Roy works on issues of gender and culture in Canadian women’s fiction and travel writing. Her current research project, funded by a SSHRC Standard Research Grant, is called Popular Culture and Repetition in Early Twentieth-Century Canadian Women's Sequel Fiction and examines the cultural and social implications of novels by writers such as L.M. Montgomery (the Anne of Green Gables books), Nellie McClung (the Pearlie Watson trilogy), and Mazo de la Roche (the Jalna books).
Dr. Roy has published a book on travel writing in Canada (Maps of Difference: Canada, Women, and Travel), as well as essays on Canadian writers including Carol Shields, Margaret Atwood, Margaret Laurence, L. M. Montgomery, Nellie McClung, Mina Hubbard, and Anna Jameson, and she co-edited (with Susan Gingell) the 2012 collection Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual. She is a member of the advisory board of Studies in Canadian Literature / Études en littérature canadienne and is past-president of the Association for Canadian and Quebec Literatures / l'Assocation des littératures canadiennes et québécoise.
"Home as Middle Ground in Adaptations of Anne of Green Gables and Jalna." Special issue on Print Culture, Mobility, and the Middlebrow. International Journal of Canadian Studies 48 (2014): 9-31.
“The Literary Construction of Saskatchewan before 1905: Narratives of Trade, Rebellion, and Settlement.” The Literary History of Saskatchewan. Vol. 1. Ed. David Carpenter. Regina: Coteau Books, 2013. 29-56.
S. Gingell and W. Roy, editors and introduction. Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual. Waterloo: Wilfrid Laurier University Press, 2012.
“ ‘The Power and the Paradox’ of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction.” Listening Up, Writing Down, and Looking Beyond: Interfaces of the Oral, Written, and Visual. Ed. Susan Gingell and Wendy Roy. Waterloo: Wilfrid Laurier University Press, 2012. 201-20.
W. Roy and J. Calderon, editors and introduction. "Representations of First Nations and Métis in Canada.” Special Dossier of International Journal of Canadian Studies 41 (2010): 181-312.
“The Word is Colander: Language Loss and Narrative Voice in Fictional Canadian Alzheimer’s Narratives.” Canadian Literature 203 (2009): 41-61.
“Misreading the Literary Evidence in Carol Shields’s Mystery Plots.” English Studies in Canada 34. 2-3 (2008): 113-129.
"Brenda Bowman at Dinner with Judy Chicago: Feminism and Needlework in Carol Shields's A Fairly Conventional Woman." Atlantis 33.1 (2008): 120-30.