Music and the Visionary

27-28 September 2019

This interdisciplinary conference seeks to explore relationships between music and the visionary beyond the notion of the innovative composer as a prophet figure. By examining how the visionary aspect of music relates to performance and social practice and how it is represented or theorised in works from music and other disciplines, this conference invites a broad range of approaches and musical traditions. The questions that the conference will explore include:

  • How is music, as a cultural and social practice, related to the visionary (including prophecy, revelation, altered consciousness, and extended perception)?
  • How do music, ritual, and visions or prophecy interact?
  • How do performers and composers (contemporary and historical) draw on ideas related to the visionary in their musical practice?
  • How do music reception and criticism engage with the visionary?
  • How is the relationship between music and the visionary represented or theorized in works from other disciplines, such as literature, religion, philosophy, or visual art?

This event is supported by: the Department of Music; the University Conference Fund; the Office of the Vice-Dean Research, Scholarly and Artistic Work; the Role Model Speaker Fund; and the Strata Festival.

Call for Papers

The program committee welcomes proposals for individual papers (20 minutes) and lecture-recitals (30 minutes). Please send an abstract of 200-250 words and a separate biography of 50-100 words (attached as doc or pdf files) to with the subject heading Music and the Visionary. Please do not include your name on the abstract, but do list your name, affiliation (if applicable), the title of your presentation, and any presentation requirements in the email.

The deadline for submissions is 24 May 2019.

Responses to proposals will be sent before the end of June.

Odawa composer/musician Barbara Croall (Manidoo Mnissing, Giniw dodem) plays, performs, and composes on the pipigwan and for voice in the traditional Anishinaabe way. She also holds degrees and diplomas from Centre Acanthes (France), the Musikhochschule in Munich (Germany), The Royal Conservatory of Music (Toronto), and the University of Toronto where she received the Glenn Gould Award in Composition (1989). The child of a residential school survivor, Croall is also a direct descendant of hereditary chiefs who signed the major treaties in Ontario and who fought in major battles of the Indian Wars and War of 1812.

Blair Stonechild is a member of the Muscowpetung First Nation, attended Qu’Appelle Indian Residential School and Campion Collegiate, obtained his Bachelor’s degree from McGill, and Master’s and Doctorate degrees from University of Regina. In 1976 Blair joined the First Nations University of Canada, has been Dean of Academics and Executive Director of Development. Major publications include Loyal Till Death: Indians and the North-West Rebellion; The New Buffalo: Aboriginal Post-secondary Policy in Canada; Buffy Sainte-Marie: It’s My Way and The Knowledge Seeker: Embracing Indigenous Spirituality. He is currently working on Loss of Indigenous Eden and the Fall of Spirituality to be released in 2020.

The program and registration will be available in June 2019.

Information about travel and accommodations will be available shortly.

While you're in Saskatoon:

Located at River Landing, the Remai Modern art gallery specializes in contemporary art. You can tour through its eleven galleries or stop at the Canadian cuisine restaurant Shift.

The Meewasin Trail is a great way to take in the riverbank’s habitat while exploring Saskatoon as a pedestrian.

Whether you are looking to do some shopping or wanting to find a local bakery, Broadway is the place for you.  In this five-block district you can find the Broadway Theatre, restaurants, coffee shops, and unique stores.

See Saskatoon from a different perspective by taking a cruise on the Prairie Lily.